Andrew Wincott (Adam Macy)
Rob
tells Adam that he’s not happy about the state of the wheat and Adam defends
his methods, saying that it will take at least two years before the soil shows
improvement. Rob says that the Estate cannot be expected to put profit on the
back burner. Adam cannot resist having a go at Rob and changes the subject,
asking Rob how was his Christmas? “Very good” Rob replies and Adam has another
dig when he says “A happy family Christmas time - how nice for you.”
A
bit later on, Rob says that he wants a report from Adam about how he plans to
get the yields up to scratch, but Adam is determined to keep needling him. “A
family Christmas is great, but having small kids around makes it even better.
Helen and the boys had a great time.” “I’m sure they did” Rob answers, through
gritted teeth. But Adam hasn’t finished and gives the metaphorical knife
another twist when he says “Of course, it was Henry’s birthday yesterday. Ian
and I got him a new scooter.” Rob’s response to this is to tell Adam that he is
going to recommend that the Estate contract is put out to tender and, if Adam
has any hope of retaining it, he will have to sharpen up his act -
considerably.
There
you go Adam; you may have enjoyed winding Rob up, but was it wise? Rob is just
vindictive enough to take the contract away out of spite, and can you imagine
what Brian would say if Adam’s farming methods were said to be the reason for
losing the contract. Bite your tongue next time Adam - alternatively you could
run Rob down with the combine.
Things
get worse for Rob - as he leaves Adam, he sees the Button girls running away
from his car, where they have daubed something insulting on his windscreen in
lipstick. We aren’t told what they wrote, but Kirsty, who is passing by,
describes it as “accurate”. Rob snarls that it is a libel and people should
bring charges against him, so that he can clear his name. “Good luck with
that,” Kirsty replies, adding: “and good luck with getting that off your screen
- some labels are really hard to get rid of.”
Rob
borrows white spirit and rags from Kenton and returns them to The Bull the
following day. Elizabeth is there to see Kenton and, when Rob speaks to her,
she says “Excuse me” and leaves. “How rude; I would have expected better” Rob
says to Kenton, but he is very cool towards Rob.
Going
back briefly to Henry’s birthday, Helen is talking to Tom and she reveals that
Caitlin, her solicitor, has told her that Rob intends to contest the divorce
and he could even make a claim on the farm, although this is unlikely to be
successful. However, it will be messy, lengthy and expensive. Looking through
the birthday card envelopes, Helen notices one in Rob’s handwriting and tells
Pat to put it in the bin, unopened.
We
have often mentioned the thickness of Rob’s skin and it can’t be easy to live
in a place where everybody loathes you. Mind you, Rob doesn’t do much to help
himself, sometimes, does he? On Wednesday evening, he is hammering on the door
of the (closed) village shop, demanding to be let in to buy some essentials.
Jim tells him to go away, as it’s two minutes past closing time and he’s cashed
up. Rob’s anger increases and he says he won’t go away until Jim serves him. He
then starts insulting Jim and the other volunteers, calling them “A bunch of
petty-minded do-gooders, playing shop so you can gossip with the women and fill
in the dreary days until you die - you’re nothing but a little Hitler.”
Now,
I don’t know about you, but if I were trying to be served, then I would try a
little humility, mixed with numerous ‘please’ and ‘thank yous’ and lashings of
gratitude if I were eventually served. In the end, Susan appears from the back
of the shop and tells Jim that he is being too nice and abuse of staff will not
be tolerated. She tells Rob that no-one will serve him and he is banned from
the shop sine die (no, of course she didn’t use that phrase - Jim is the
Latin expert). Rob tries to force his way past Jim and Susan says “Call the
police.” At this, Rob leaves, saying that the shop only sells tat and Susan tells
him “You’re not wanted here - or anywhere in Ambridge!” God knows I hold no
brief for Susan, but I applaud her on this occasion.
On
Thursday, Alan is in the pub and Jolene tells him the story about the fracas at
the shop. A disturbed Alan phones Rob and, later on, goes to see him. Rob
called in sick at work and Alan asks him how is he and mentions the altercation
in the shop. “How are things?” the vicar asks. “Pretty ghastly sums it up,” Rob
answers, honestly, adding: “Christmas was a disaster without my sons” and he
tells Alan that the village is treating him like a pariah, which should come as
a surprise to nobody. Alan’s answer is that he cannot go around abusing people
and he spells put his advice thus: “If Jack means the world to you, as you say,
then you should concentrate on him, rather than having shouting matches.” The
vicar adds: “If you cannot move on, then you’re putting yourself beyond help.”
We
do not hear Rob’s reply, but the next day we learn from Helen that Caitlin has
told her that Rob is not going to contest the divorce after all, which makes
Helen’s day. What are we to read into this - has Rob taken Alan’s words to
heart and had a Damascene conversion, or is this just a coincidence? If Rob
suddenly starts behaving like a decent human being and is tolerant towards
everybody, I reckon people will just think that he’s up to something and still
not trust him.
If
Rob is St. Paul, then Brian was doing a good imitation of Moses last week when
he took Jennifer out to have a look at the land that he is thinking of buying.
It’s mostly arable, but he points out a little copse of trees, which he says
could be their special place. In the future, Adam could walk there (presumably
thinking “I wish Brian had never bought this bloody land”) and Alice could
bring her children there - this is the legacy that he wants to leave. He
doesn’t actually use the phrase ‘flowing with milk and honey’, but it was a
close run thing. Whatever, Jennifer falls for it and later she tells her
husband that she will support his vision.
Not
everybody at Home Farm is happy, as Lilian has not heard from Justin since the
night that Miranda left the panto early and Lilian is afraid that Justin’s wife
might have sussed that her husband has been playing away. “I think my little
adventure might have come to an end,” she tells Jolene, sadly. Your adventure
and maybe your corporate credit card and clothing allowance, Lilian - I’d get
out there and buy some new frocks while you still can if I were you.
Of
course, one of the biggest recent stories is that of Kirsty’s pregnancy and
Tom’s reaction to being the father. He’s all over Kirsty like a cheap suit and
she is not best pleased when he turns up after midnight on New Year’s Eve. He
suggests that she could move into his house - she could have Johnny’s room - so
that they could bring up the child together. Whether Johnny knows about this,
or would come home one day to find the locks changed and his stuff on the
pavement is not revealed. Mind you, I think Tom is getting a tad pissed off
with Johnny, as he comes home one evening to find that Johnny forgot to take
the oven chips out and they were cremated. The issue of whether Johnny knows or
not is academic, as Kirsty turns the idea down, describing the idea as ‘weird’.
Undaunted,
Tom has another idea and goes to see Kirsty to tell her. And what is this idea?
Simple - he thinks they should get married; after all, they are friends and
they did really well together at the panto. That ‘clunk’ you hear is Kirsty’s
jaw hitting the floor - she cannot believe it and reminds him how he left her
at the church on their wedding day. Getting in even deeper, Tom says that he
wants to put things right and it’s all too much for Kirsty, who says “It will
never be put right - how on earth do you think I could ever trust you again?”
Tom
replies that he could change and Kirsty says that, for a while she didn’t know
whether to keep the baby, knowing that Tom would be in the picture when it was
born. “How dare you come here and stir up all these horrible memories?” she
screams. Tom says that he’s trying to support her, but Kirsty is in full flight
now and says “No. You’re trying to make yourself feel better for the vile thing
you did to me - it was unforgivable!” She also tells him to back right off and
he can forget about coming with her to the scan. “I don’t need you there - I
don’t need you at all” she tells him, angrily. I wouldn’t publish the banns yet
awhile, Tom.
Let’s
discuss matters romantic to end with. Elizabeth talks to Kenton, who is
shell-shocked after taking Lily and Freddie out for a driving lesson and he
vows never to take them both again. Lizzie says that she thinks it won’t happen
with Dr Locke, but it has made her realise that she’s ready to fall in love
again.
Perhaps
she should rekindle her affair with Roy, but she’ll have to be quick. On New
Year’s Eve, Roy goes out of the pub when Tracy arrives (she keeps texting him)
and Johnny describes Tracy as “really hot.” Roy tells him that she’s “flighty”,
which is a nice way of saying that her middle name is ‘Bakewell’ and he reveals
that, about 15 years ago at a wedding, Tracy and the groom were discovered at
it in the going away car. As midnight approaches, Tracy homes in on Roy and
covers him in passionate kisses.
Later
in the week, Susan is in full matchmaking mode, telling Kirsty that Tracy and
Roy “were inseparable” on NYE and that Tracy is a very good match. Susan muses
on Roy’s infidelity with Elizabeth, but decides that he has been punished
enough. Kirsty wryly observes that Tracy is hardly purity personified. Helen
comes into the shop and Susan tells her about the pair being inseparable at The
Bull. ”Yes,” Helen replies, “Tom told me you’d have needed a crowbar to get her
off him.”
Get
a grip, Roy - the way things are going, you’re in danger of ending up being
married to Tracy and looking after her two kids. And if that prospect isn’t
enough to have you reaching for the rat poison, then think on this - you’d also
have Susan and the idiot Gary and assorted Horrobins as in-laws.
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