Eric Allen (Bert Fry)
It’s the day of the flower and produce show and
Christine wakes Peggy with the news that her latest batch of biscuits are
prize-winning perfect. All Peggy wants to do is stay in bed snuggled up with
her cat Bill who starts purring appreciatively, when their peace is broken yet
again by Christine. This time she’s blaming Bill for breaking through the
cling-film and scattering her biscuits all over the floor. Bill makes a quick
exit through the cat-flap but there is no mention of him having eaten any. I can
only think that the ever-faithful Bill was saving Peggy from eating whatever
concoction Christine had knocked up this time. However Peggy persuades her to
make another batch.
Bert’s still obsessing about Carol’s marrows. It
doesn’t help when he starts, with some considerable effort, to twist the
biggest one at the stem causing Carol to sound very appreciative. We leave him
alone to polish it but later on we hear Susan also admiring Carol’s engorged cucurbit
after it wins a first in the show.
Peggy’s still bathing in the glory of defeating
Hazel over the village shop – she even gets an apology from Susan for the
things she said about the shop. Susan’s so contrite that she gives Peggy her
second placed ginger biscuits – poor Peggy. Where’s Bill when you need him.
Rob’s at his emollient best, reassuring Helen about
how well Henry’s settling in at school. However the menacing streak is only
just under the surface when he says that he’s sure Henry won’t have any more
accidents and that he’ll feel more secure “when he’s mine by adoption”. His
barely suppressed anger starts to rise when Helen rebuffs his idea of a weekly
‘date night’ when they can spend more time alone – probably the last thing she
wants right now – and suggests going out as a family instead. She not happy
either when she finds out that Rob’s now planning a livestock pen outside the
café. He starts brainwashing her again when he convinces her that he did
mention it before, blaming overwork for not remembering, before putting on the
pressure about date nights again and talks of recapturing the ‘post Honeymoon
glow’.
Helen later confides with her mother, over the
ripening milk, about Rob wanting to adopt Henry and she does her best to
convince Helen that it’s a good idea. Are Pat and Rob in cahoots? It certainly
doesn’t appear to be the answer Helen’s looking for as she rushes out of the
door – or is there another reason for her hasty exit?
Later we learn that Rob has found a quick way to
gain control over Henry – a step-parent parental responsibility order. Helen’s
obviously not keen, and when the food arrives rushes off again – presumably to
be sick.
David’s still wringing his hands with guilt about
pushing his mother out and moving Heather in. He’s talking with Elizabeth and
Jill about Heather’s house going on the market and Rooooth clearing it of
rubbish when Jill can’t resist another well-aimed dig, when she says “a house
can hold so many memories”. Ouch.
Carol’s very nervous and confused sounding friend
Hester is visiting and they’re having a get together in Grey Gables with Jill,
Christine and Peggy. This provides an opportunity to reminisce about the past
and weave in memories of Grace, but when Carol briefly leaves the room Hester
blurts out that Carol killed her husband John. When Carol returns the rest are
left wondering whether it could be true or whether Hester’s just confused,
while the conversation politely turns to puddings.
Peggy tells Jennifer what Hester said and this
re-awakens her suspicions about Carol, engineering a visit to Carol’s house on
the pretence of giving Peggy a lift. Lilian’s desperate to escape the retreat
she’s detoxing in with Kate and was going to use the excuse of having to pick
up Peggy as a reason to leave, but Pat manages to reach her before her ‘ear
candling’ to put her off an early return. When Jennifer arrives she soon turns
the conversation to John’s demise, and Hester talks about John being frightened
of death, wishing she had Carol’s courage. Just as Hester is about to reveal
all, she is cut off by Carol.
Toby meets with Ian to talk goose. He must have an
extraordinary sales technique, as not only does Ian want to order the geese, he
wants an exclusive contract. It’s not even as if they’ve built up a reputation
– they’re just a couple of opportunistic brothers raising geese on some land
they’ve blagged.
At the village hall committee meeting Neil is still
firmly in the Justin Eliot fan club now that he’s offered to pay for the new
village hall. Eddie however cheerleads for the anti camp and questions start to
be raised. Jim backs him up, and when Eddie produces a signed photo of Anneka
Rice, he invokes the ‘Challenge Anneka’ spirit and suggests to the meeting they
do it themselves – as they had done when Anneka visited the village in 1993.
Eddie shouts down Neil’s reservations when he reminds him that he built his own
house. Eddie says that he can get all the building materials at a discount to
avoid getting ripped off (he must have thought of a way to do that himself),
and finally delivers a rousing speech that persuades the committee to reject
Eliot’s money.
Lilian’s arrival back in Ambridge is announced by
ice tinkling in a gin and tonic. Jennifer goes on about Carol again but Lilian
doesn’t care, being more interested in her improvised gin and fags retox
programme. During the final episode of the week Jennifer invents another excuse
to see Hester on the basis of a promised jar of home-made strawberry conserve,
and seizes the opportunity to drive her to the station. Did Jenny sabotage
Carol’s car by sticking the nail in the tyre? Jennifer waits with Hester for
her train and presses her further, and we are left believing that this final
meeting was inconclusive. Perhaps stirred by memories of John, Jennifer visits
his grave and chances upon Carol. There follows a very touching scene where
Carol finally says: “I only did whatever anyone who loved him would have done”.
So Jennifer got her confession and it looks like we
got Carol all wrong after all.
About the man we love to hate, Rob, I have a theory the he suffers from infertility, which is why he knew that he couldn't be the father of Tess's baby, but he wants a son. Along come Helen and Henry, the boy with no father. He promptly ditches his wife, seduces and marries Helen and will soon be adopting Henry. Nothing too sinister so far, but this is Rob, the J.R. of Ambridge, so he must have an ulterior motive (why else would the scriptwriters titillate us with glimpses of his nastier nature?). One is that he could drive Helen to suicide to keep Henry all to himself, possibly with a chunk of Bridge Farm. Any others? - Zoe
ReplyDeleteI'm assuming that the infertility idea has vanished, I see him getting Helen sectioned and claiming both kids for himself.
DeleteYep, I got that one wrong, but we got another glimpse of Rob's nastier side and it will be interesting to see how that story develops. I think that the Helen/Rob/Bridge Farm saga is becoming one of the best story lines in recent years. - Zoe
Delete"...and it looks like we got Carol all wrong after all" - what did we get all wrong ? I never thought for a second she'd actually murdered her husband - Carol is one of the only genuinely likeable characters in The Archers. I only wish she'd bump off a few of the others starting with that bloody annoying Johnny (or Rich as he used to be called - I must have missed the episode where he changed his name). And Zoe asks why would they titillate us with glimpses of Rob's nastier nature if he has no ulterior motive - well, 10 years ago we were being led to believe that Vicky was some kind of evil gold-digger who'd run off with Mike's savings then she turned out to be sweeter than the Andrex puppy dipped in icing sugar - The Archers characters aren't real (gasp) so their personalities can change at the whim of the scriptwriters which is why Hazel had that change of heart over the shop which I'm sure is meant to be genuine, even though it's ludicrously unlikely. So Rob might turn out to be a really nasty piece of work or maybe we are being led up the garden path - the scriptwriters haven't decided yet.
ReplyDeleteI think it is fairly unequivocally established now that Rob has a bad character. He punched a Sab (and he liked it), he has undermined and hurt Helen, he is a bully, a liar and we have all sorts of dark warnings from Jess.
DeleteHe is clearly a bad egg, we just don't know yet how bad.
Either there will be some terrible event (he scissor-kicks Christine Barford having fractured his crown on one of her ginger snaps?) or there will a slower developing story around Helen's gradual realization she has married a good looking monster.
I'm with Jennifer on Carol. I find her a bit creepy, but I really enjoy the performance from Eleanor Bron.
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