Philip Molloy (Will Grundy)
We had Clarrie going on, and on, and on about how
this will be yet another Christmas trying to avoid a confrontation between her
sons. Ed agreed to help slaughter and pluck the turkeys as long as Will wasn't
there, which was OK, as Will had said that there's no way he was going to do
it.
Enter Caroline, performing her godmothering duties
by trying to make Will see that he's behaving like an unreasonable, whining
lump of misery (Will's default mode, if we're honest) and it's hurting both
George and Clarrie. Will has a change of heart (prompted perhaps by the thought
of being written out of Caroline's will) and rings Joe to tell him that he'll
be there to help. So, it looks like Clarrie was wrong and there will be no
avoiding a confrontation, as if both Grundy boys turn up on the day, a
confrontation will be a nailed-on certainty. Just keep sharp objects out of
their reach.
I said that we had Clarrie going on and on and it
seems that the women of Ambridge just do not know when to keep their mouths
shut. Take Shula – Daniel decides to go and stay with a friend in Leeds and, as
he is off to the station, she gives him a lecture about how he should feel some
sympathy with Darrell and it all escalates into a full-blown row. If she'd just
waved Daniel goodbye and kept quiet, it would have been so much easier.
Later on in the week, Shula's own sympathy for
Darrell is tested and found wanting, although to be honest, his behaviour would
try the patience of a saint. First of all she drives him to sign on and
practically has to drag him out of bed. Then she and Alistair have a row,
because she is washing Darrell's bedclothes and on Thursday, Shula finally
snaps. Having made Darrell get up in the afternoon, she has cooked a chicken
casserole and gets testy when Darrell doesn't eat much. Testiness turns to
anger when he drops the dishes on the floor (sorry Alistair, no dinner for you)
and she realises he has been drinking ("Just a quick swig to make me feel
better"). Wrong answer, Darrell! Shula finally loses it and tells him that
Daniel has gone because he can't stand Darrell and to "get a grip and do
something about it – I'm not prepared to look after you for much longer."
So much for sympathy.
And Darrell does indeed get a grip – sadly the grip
is on a pint glass in The Bull, where Neil finds a drunken Darrell wallowing in
self pity. Things get worse when Darrell's daughter Rosa turns up with Jamie
and Darrell drunkenly implores her to talk to him, knocking over a table in the
process. Just to make Darrell's day complete, she tells him that he disgusts
her and "As far as I'm concerned, you're not my dad any more."
Probably no point expecting a Christmas card this year then Darrell. Jamie
calls Darrell a waster and Neil tells him sharply to watch his mouth and
"When you grow up you'll know better." Sorry Neil – and call me
unsympathetic if you must – but I suggest that, if Darrell isn't actually a
waster, then he'd be a bloody good substitute if you needed one in a hurry.
Neil takes Darrell back to The Stables and, on
Friday, we hear Shula and Alistair talking. Shula thinks it's time she woke
Darrell up, while Alistair goes to the bathroom for a shower. Shula finds that
Darrell is gone, while Alistair finds that their stock of paracetamol has also
vanished. Could there be a connection? Too right and a manhunt begins. To cut a
long story short, an unconscious Darrell is found in front of No. 3, The Green;
the house he used to share with Elona. The week ends with Shula beating herself
up and saying how it's down to her because she shouted at him and "If
Darrell dies it will be all my fault." Actually, all this could have been
avoided – if they had kept the paracetamol in a child-proof container, Darrell
would probably have been unable to open it.
It's decision time at Grey Gables for the Deputy
Manager's job. Who should get it – Kathy (capable, safe pair of hands) or Anton
(good experience, reminds Oliver of Roy but worries Caroline because he never
seems to stay anywhere very long)? Kathy gets the nod and she hands in her
notice at work after only two weeks – even Anton stayed at places longer than a
fortnight.
Elsewhere, there is a crisis at the rehearsals for
the Christmas extravaganza as there is still a definite lack of spark between
Rob and Kirsty. Lynda tries some half-baked amateur psychology, which is
frankly embarrassing and, when Lynda is dragged away by Alistair, who is
looking for Darrell, Kirsty and Rob have words. She tells him he makes her skin
crawl and she'd walk off the stage now, but she feels loyalty to Lynda. Rob
says they cannot go on like this and, when Lynda comes back, he tells her that
he is having to pull out of the production. Lynda is appalled and begs Kirsty
to talk him out of it. Hmm, unlikely.
This leaves the whole production in jeopardy, but
Kirsty has an idea and rings Tom to try and talk him into it. He's not keen
(one of the few occasions that I find myself agreeing with him) and points out
that he's rather busy at this time of year. Lynda begs him ("You'd be my
absolute saviour") and Kirsty tries again, but Tom interrupts her, saying
"there are blue flashing lights outside" and puts the phone down – I
don't know, he's always got an excuse.
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