Patricia Greene (Jill Archer)
The actress playing Jill Archer celebrated 60 years with the
programme last week and how did she mark this milestone? By getting Jill
arrested for common assault. As we said last week, Jill has embraced the
subject of not wasting food with Messianic-like zeal and Tuesday saw her,
Kirsty and a band of like-minded protesters demonstrating at a PR event to
herald the opening of the Duxford sisters’ new restaurant.
The demonstrators are moved back by PC Burns but Jill is not
happy, as the Duxford sisters cannot hear their protests. Jill encourages the
others to surge forward and she starts elbowing PCB and throwing her home-made
flapjacks around. One catches Lulu Duxford in the eye and it is all too much
for PCB, who arrests Jill for common assault.
Kirsty contacts David, who arrives at the police station, where
his mother has had her fingerprints and DNA taken and has been cautioned. “What
are you doing here?” Jill asks. “What am I
doing here?” David explodes and points out the irony of throwing flapjacks
around at a demonstration against food wastage. He tells Jill that she’s 86
years old and has led a hitherto blameless life – and now she has a criminal
record!
When Lynda learns of this debacle, she is worried because all
the publicity about the Duxfords opening the fete has been put into gear and
she cannot believe that they will want to open the fete after this. Things are
not improved when Jill gives interviews to the press and Radio Borsetshire and
she is not in the least conciliatory. Jill is unrepentant and reminds the other
members of the Fete Committee that she never wanted the Duxfords in the first
place. Lynda gets on her high horse, saying “It may not have been your
intention, Jill, but you have dealt a potentially devastating blow to this
year’s village fete.” Well done Jill, now let’s see you scupper the Christmas
offering when we know what it is.
As it happens, it appears that the Duxford sisters still want
to open the fete, spouting a load of guff about serving the community. Rumour
has it that Jill is baking a mega batch of aerodynamic flapjacks in
anticipation.
Over at Grange Farm, Clarrie is distraught at the way the
Grundys betrayed Oliver’s trust and she writes him a grovelingly apologetic
letter, which she takes round to the stables, where he is staying. Oliver isn’t
there, and Clarrie asks Shula to give him the letter. How are things going with
the memorial service? Shula says ‘ok’ but admits that Grey Gables is a bit
corporate, to which Clarrie wonders whether Grange Farm might be more suitable?
Shula says she will ask Oliver, which she does, and he jumps at the suggestion.
That gives the Grundys two days to move the furniture back in and tidy up the
garden, which is, quite frankly a mess. As Clarrie tells Edward: “This place is
going to be perfect if we all work together; we owe it to Oliver - and
Caroline”.
Edward is a bit perplexed, as he ran into Oliver in the village
and Oliver began apologising for losing his temper last week. Clarrie said he
had every right to lose his temper and she is even more determined that
everything will be spot on for Thursday. Amazingly, it is and Oliver says that
the events of last week are forgiven and forgotten and he thanks Clarrie for
allowing the memorial service to be held at Grange Farm. Er, Oliver, it is your house, remember.
There is much reminiscing about Caroline’s life – we learn that
Peggy didn’t really like her when she first came to the village and how
Caroline lost her faith when she was involved in the accident in which Shula’s
husband Mark died, and which nearly killed Caroline. I didn’t hear Brian say
anything, which is just as well, as he might reminisce about the affair he had
with Caroline. There was not even an embarrassing cameo from Joe. Indeed, we
never heard anything from him; perhaps they had him locked away somewhere.
At the conclusion of the event, Ed approaches Oliver he has
mended Caroline’s vase and Oliver is amazed – you can’t see where it was
damaged. Ed says that Caroline and Oliver never gave up on him, even when he
went off the rails, and he is grateful. Pointing to the jug, Ed says “That’s
what you did for me – you mended me. Now you can hardly see where the damage
was.”
The day after, Oliver seems lost – he sits in the café for an
hour over a cup of coffee and Emma rings Ed – she thinks Oliver needs a friend
and could he come over? He does so and invites Oliver for a walk. Oliver admits
that he doesn’t know what to do, or even where he’ll live. He couldn’t bear to
be in Grange Farm without Caroline and ditto Italy. He doesn’t even know what
he is going to do with Caroline’s ashes, which he brought over from Italy.
Edward says that he doesn’t have to decide these things right now and, if
Oliver ever wants to talk, Ed will be there for him.
There were developments in the Justin/Lilian/Matt story too.
Justin is walking Ruby and he meets Brian. They talk about Matt’s comments on
the planning website and Justin admits that his patience is exhausted. When
Brian asks him what is he going to do, Justin replies simply “Get him fired.”
Later on, Justin tells Lilian how annoying Matt is and he wants him out of the
country and out of their lives. Lilian’s response is that Matt is trying to
rebuild his life and he cannot repay what he stole from her if he’s unemployed
in Costa Rica. Justin says that Lilian doesn’t need money now she’s marrying
him and anyway it would be worth losing money “to get that wretched man out of
our lives once and for all.”
The next day, Lilian goes to see Matt and tells him that it was
Justin who scuppered the Investors’ Day and “he will make damn sure that you
lose your job.” Why does Matt keep kicking a hornets’ nest when he knows that
he’ll be the one to get stung? Matt says “I do it for you” – seeing her and
Justin together reminds him of what she and Matt once had and she is way too
good for Justin Elliott. Lilian’s answer is that Matt should apologise to
Justin “it’s your only hope” she tells him.
Matt does indeed go to see Justin and, to the latter’s
astonishment, he apologises, saying that he’s behaved like an idiot and he
should have kept out of Justin’s business. “And why should I believe you?”
Justin asks, icily. “Because you’ve won,” Matt replies, adding: “I didn’t
realise how influential you were.” He also says that, job-wise, he thinks he’s
living on borrowed time and might go back to Costa Rica. Justin slams the door
in his face.
Talking to Lilian about the encounter later, Justin says that
he’ll still make sure Matt is fired. She describes this as ‘vindictive’ and
says “You’re letting Matt get under your skin - forget him and move on.”
Once again Lilian goes to see Matt. He is more optimistic about
his job, as he has heard that, despite the poor showing on Investors’ Day, the
take-up was good, so perhaps the danger has passed. Lilian says that, if Matt
provokes Justin once more, he’ll finish him. The thing that Matt (and I) cannot
understand is why did Lilian warn him about Justin in the first place and why
is she there now? “Admit it – you still have feelings for me, don’t you?” Matt
says. Lilian could have said that she does indeed – feelings of disgust,
loathing and contempt – but instead she says that she can’t just stand by and
watch Matt be mercilessly crushed. “I wish I could, but I can’t” she says. The
obvious answer is to go away on holiday and come back only after Justin has set
the Triads on Matt, or fitted him with concrete boots, or whatever he has
planned. Please Lilian, you’ve got a good thing going – you’ve got a man who loves
you and who buys you expensive presents, as opposed to one who stole all your
savings and did a runner. I submit it’s no contest.
PCB and Fallon are still yearning after Woodbine Cottage and
PCB goes to see his parents to see if they might help – after all, he’s never
asked them for anything in the past. The trip is a disappointment – Harrison’s
waster brother Marcus has moved back in, along with his pregnant girlfriend,
and they are being supported by mum and dad. Resigned to losing Woodbine, PCB and
Fallon put an offer in on a house in Borchester. Emma says she’s jealous –
especially as they don’t know what’s happening about Grange Farm.
In recent weeks we have speculated about a possible romance
between Roy and fruit picking team leader Lexi. Phoebe, who is working to get
travelling money, tells her dad that she saw Lexi washing racist graffiti off
one of the caravans. Phoebe suggested that Lexi tell Adam, but she doesn’t want
any trouble. Roy decides that this isn’t good enough – these things can escalate
and get out of hand, so he tells Adam. Lexi is less than impressed and goes to
see Roy. She tells him that police came to Home Farm and she was interviewed by
them.
Roy is adamant that he did the right thing and they argue, with
Lexi saying it was just a silly incident with kids. Roy says it was more than
that and that he was only trying to do what’s right. “You’ve made it worse for
me,” she tells him, adding before she walks off “Leave me alone from now on.”
Well Roy, that could have gone better, couldn’t it?
And now we come to something that, to me anyway, is becoming
something of a growing irritation. Am I the only one to have noticed – and been
annoyed by – the increasing incidence of background music being played when a
scene is being acted out? The week before last we had Scott McKenzie’s ‘San
Francisco’ as a background to one conversation and, last week, we had ‘Secret
Love’ and ‘I Believe’ playing when Fallon and Emma were talking in the café.
Even Caroline’s memorial didn’t escape – when Oliver was saying
how much he and Caroline loved opera, there was the overture to ‘The Magic
Flute’ in the background. I also tuned into this Sunday’s episode and Lynda,
Fallon and Susan were talking while ‘Smoke Gets In Your Eyes’ was playing. Stop
it, stop it, stop it! I find background music irritating enough in real life
and we don’t need it in the Archers – you can see how distracting it is by how
I know what the songs are. I want to listen to the dialogue, not someone’s
collection of old classics, so someone please make sure that the CD player in
the café never works again, before I do something I’ll regret.